By Keridwyn Deller
Seattle Rep brings important, engaging, and relevant work to their audience. We are so fortunate to have the opportunity to experience the incredible production of “Indecent” here in Seattle now through October 26th.
“Indecent” takes us on the journey of the production of “Gods of Vengence,” starting with its first appearance in Yiddish in 1906 Poland to Broadway in 1920s and beyond. While the show calls upon the play-within-a-play device, and echos some moments of the familiar musical “Cabaret,” “Indecent” is like no other production I have seen. Extremely well cast and directed, Seattle Rep’s “Indecent” is rich, creative, bold, endearing, and relevant. How can a show be so powerful, and charming, and moving all at once? You’ll have to experience it for yourself.
In the Seattle Rep’s own words:
“A luminous representation of Jewish artists and music; and a reminder that love in all its forms provides solace in times of dark oppression, Indecent is the play we all need to see in 2019. Featuring a talented cast of actors and musicians, this production set in the 1920s tells the story of a troupe of actors performing Sholem Asch’s controversial God of Vengeance – with deep and unexpected consequences. Don’t miss out on the chance to see this riveting production, fresh from a wildly successful Broadway run.”
While the run continues through October 26th, I imagine word will get out quickly about how excellent this show is, so get your tickets now. Celebrate jewish culture, love, and rising above hate. The Washington Post nailed it when they described the play as “A eloquent account of art happening against all odds.” The Seattle Rep offers a selection of pay what you choose tickets on select dates (including this weekend) for those on a budget. The show runs 1 hour 45 minutes with no intermission.
Photos by Bronwen Houck
Seattle Pockets 
Absolutely agree with your assessment of Indecent, except for an omission – choreographer Tonya Lockyer. The staging and choreography were seamless and outstanding in this production. Movement was a continuing current of narration from the first moment to the very last. Sound by Paul James Prendergast was also exceptional, rounding out an outstanding creative team.
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I agree! Thank you for sharing this additional review here on my blog. If you’re interested in being a guest reviewer on the blog in 2020, send me a message via my contact form! I’d love to have you.
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